As an Assistant Professor of Music at Dartmouth College, I teach courses in history, media, ethics, disability, race, and digital games. Working at the crossroads of critical inquiry and public engagement, I advocate for interpersonal care as the heart of academic and activist labors. My current research explores how people's spoken and unspoken judgments of others' artistic, musical, and rhetorical abilities give rise to just versus unjust social relations (veneration, exoneration, violence). Between 2012–16, I was a Junior Fellow at the Harvard Society of Fellows.
My books include Sound Play: Video Games and the Musical Imagination (Oxford University Press, 2014, published with AMS 75 PAYS Subvention), Just Vibrations: The Purpose of Sounding Good (University of Michigan Press, 2016, recipient of the AMS Philip Brett Award and named a 2016 Book of the Year by Times Higher Education), All the Beautiful Musicians (f. Oxford, supported by Harvard's William F. Milton Fund), Touching Pitch: Dirt, Debt, Color (f. Michigan), and the edited volume Queering the Field (f. Oxford, with Gregory Barz).
My academic articles have appeared in Critical Inquiry, Ethnomusicology, Journal of the American Musicological Society, Journal of the Society for American Music, 19th-Century Music, and Cambridge Opera Journal, and I have written op-eds for TIME Magazine, Washington Post, Pacific Standard, Slate, RYOT, Musicology Now, and Huffington Post. I currently serve on the editorial and advisory boards for The Journal of the Society for American Music, Music & the Moving Image, Women & Music, Ethnomusicology Review, Sound Studies: An Interdisciplinary Journal, and Sensate. In past years, I've enjoyed giving classical piano recitals featuring improvisations on themes from the audience.